- Artist: YYVVESS
- Released: 2016 on DMT Records
- Genre: Electronic, vaporwave
Released on DMT Records, the second album from YYVVESS sees him mixing electronic music with the history of ancient civilization. Scratching your head already? Yeah, I was doing that two months ago. That’s what made me wanna write about this album though.
Why history, out of every possible subject? Why not Greek philosophy? Or applied chemistry? Admittedly, I have yet to see EDM mixed with Plato, but the optimist in me imagines it as a really awesome mash-up. One can hope.
The thematic concept isn’t new to the vaporwave genre- Pyravid’s Googleplex Bionetwork was one of the first few vaporwave albums where the often lambasted “aesthetics” took a backseat. Pyravid, armed with Microsoft samples, synths and beats, transported the listener to an unexpected vision of vaporwave – a Microsoft-enmeshed living, breathing jungle utopia in 16 tracks. Mother Nature in perfect harmony with technology.
I have this feeling that YYVVESS’s ART HISTORY might have attempted to be an aural history textbook, but unfortunately the album just hangs in mid-air halfway through. ART HISTORY has its merits though – Human Head, one of my favourite tracks, has pretty synths resembling Indonesian gamelans against a syncopated beat, and Bronze Vessel sees the introduction of exotic elements (jungle bird calls, elephants). The tracks after Stone Cist Tomb are rather forgettable, probably because they sound the same after a while. And it’s not the song length – the album duration hovers around 30 minutes.
Still, not all’s lost – I’m still hitting the repeat button on Human Head! Here’s a sample!