- Artist: MONEY
- Released: 2016 on Bella Union Records
- Genre: Indie Rock
There’s only so much music you can listen to without getting nauseated, or feeling cynical. So when albums like Suicide Songs come and sweep you off your feet, you feel this inner glow radiate in your heart. Halleh-fucking-lujah, man.
The beauty of MONEY‘s music comes from Jamie Lee’s voice – but his voice isn’t as perfect like Jeff Buckley’s or Thom Yorke’s. Sometimes his voice wavers and cracks, but it’s laden with emotion – when he sings, he means every word. When he’s feeling the pain, all fucked up at 3 am in the morning from drink, half-sobbing to himself, you feel it all the more. Couple this with the sweeping orchestral arrangements, and you get transcendental church hymns of the human condition. The album’s opus, Night Came opens with some reverb guitar and Lee’s soaring falsetto, with a lonely bagpipe – ebbing and flowing slowly, it gradually builds into a monster of an ending. It is depressing, but there’s an optimism underneath the gloom too. In some ways it reminds me of the bleak grandeur of Suede’s Dog Man Star, where Brett Anderson similarly exorcised his personal demons with the use of a sprawling orchestra on Still Life.
Thankfully, Suicide Songs doesn’t tip into corny territory, as is the case with orchestra backings – the addition of acoustic guitars also add a sense of intimacy to the album. On You Look Like A Sad Painting On Both Sides Of The Sky, the lyrics “Outside the world is crucified, you must find something to be sacrificed to/To your love/Or to your lie” also add to the biblical presence of the song.
On the whole, the album is pretty good – unless you find music like this depressing. I don’t, though. And what do you know? Jamie Lee is a Felt fan. Oh boy.
As always, here’s a sample – You Look Like A Sad Painting On Both Sides Of The Sky below for your enjoyment!