- Artist: Rolling Stones
- Genre: Country Blues
- Released: 1969 on London Records (US) & Decca Records (UK)
Records like this have a lovely, wide-eyed wonder to them. There is a subtle, organic harmony of the overlaying riffs with the drums and the bass, the way they’re allowed to breathe. You can hear Keith Richards just noodling along, and then thinking, “Hmm, what about if I play this?” and Charlie Watts rising to the challenge. Mick Jagger simply delivers. The best part of it all? They pull it off so perfectly. It doesn’t sound like a wankfest of instruments, or an awful overdone affair. There’s only the essential muscle and bone, with nary a trace of fat.
Its ragged charm also plays a major part in its allure – Keith’s guitar playing slowly unravels like a ball of yarn, while being accompanied by Ry Cooder’s pretty mandolin tremolos on a cover of Robert Johnson’s Love In Vain. Mick Jagger’s blissed-out vocals stretch like a lazy cat to the heavens, probably made possible by some tabs of acid. Live With Me brings the infamously debauched, wildcat side of Mick Jagger out, with him making a rather crass but irresistible proposal (“Don’cha think there’s a place for you/In between the sheets?”). Wild, huh. Then comes Let It Bleed. Practically everyone but me knows this song. It’s an eye-opener to the occasional enfant terrible methods of Jagger for me. The insouciance of Jagger’s voice and lyrics manage to infuriate and charm in equal amounts (“We all need someone to cream on”). You Can’t Always Get What You Want is an amazing wall of GLORIOUS sound, with the raw ululations of the London Bach Choir battling against Watt’s drums and sending goosebumps up your arms. It’s an uplifting anthem for the “live and let die/go” mentality, with an almighty shrug.
Here’s a sample: You Can’t Always Get What You Want