• Artist: Killing Joke
• Released: 1979 on E.G Records
• Genre: Post-punk
Paul Ferguson’s drums take centre stage on their second album – which I am totally in love with, because they sound fucking massive. Think spatial, earthquake-inducing vibrations. And then combine that with some tight bass riffs. You can see where I’m going, don’t you?
Killing Joke stripped out the new-wavey synths from their self-titled debut, and came up with an album that was downright brutal. Industrial, dystopian, psychotic – that pretty much sums it up. Jaz Coleman adds to the psychotic element with his distorted shouty singing – if you watch any KJ videos he’s really intense. You don’t mess with Jaz.
Tension has an amazing drum beat (duh-duh-dum, duh-duh-dum) which manages to tattoo itself on my memory (and simply refuses to go away), and Follow The Leader resembles something that I heard vaguely on a post-punk mixtape, and actually dug it: skittery synth beats combined with that metallic drum sound. I need to dig that mix out someday.
The guitar riffs are also totally headbang-worthy, which left me thinking that Killing Joke actually also lean towards heavy metal as well. A quick Last.fm inquiry on the artist page, and I single out a comment from a user, that half- confirms my suspicion: “anybody, pls, kill all the idiots and faggots who label the last KJ album as ‘post-punk’. I’ve finally found another band to quell my moshing instincts.
Here’s Tension. Enjoy!